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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Sat, 11 Feb 2012 03:18:17 GMT--><rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:rss="http://purl.org/rss/1.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:admin="http://webns.net/mvcb/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:cc="http://web.resource.org/cc/"><rss:channel rdf:about="http://www.johnthawley.com/journal/"><rss:title>John Thawley's Photography Blog</rss:title><rss:link>http://www.johnthawley.com/journal/</rss:link><rss:description></rss:description><dc:language>en-US</dc:language><dc:date>2012-02-11T03:18:17Z</dc:date><admin:generatorAgent rdf:resource="http://www.squarespace.com/">Squarespace Site Server v5.11.81 (http://www.squarespace.com/)</admin:generatorAgent><rss:items><rdf:Seq><rdf:li rdf:resource="http://www.johnthawley.com/journal/2011/11/27/see-the-light.html"/><rdf:li rdf:resource="http://www.johnthawley.com/journal/2011/10/12/chasing-light-in-the-off-season.html"/><rdf:li rdf:resource="http://www.johnthawley.com/journal/2011/9/9/a-great-cause.html"/><rdf:li rdf:resource="http://www.johnthawley.com/journal/2011/8/13/who-are-you-shooting-for.html"/><rdf:li rdf:resource="http://www.johnthawley.com/journal/2011/1/20/finding-the-range-of-a-rangefinder.html"/><rdf:li rdf:resource="http://www.johnthawley.com/journal/2011/1/19/more-to-come.html"/><rdf:li rdf:resource="http://www.johnthawley.com/journal/2011/1/13/cutting-out-the-middle-man.html"/><rdf:li rdf:resource="http://www.johnthawley.com/journal/2010/12/20/happy-holidays.html"/><rdf:li rdf:resource="http://www.johnthawley.com/journal/2010/12/8/exploring-speed-light.html"/><rdf:li rdf:resource="http://www.johnthawley.com/journal/2010/12/6/no-chimping.html"/></rdf:Seq></rss:items></rss:channel><rss:item rdf:about="http://www.johnthawley.com/journal/2011/11/27/see-the-light.html"><rss:title>See The Light</rss:title><rss:link>http://www.johnthawley.com/journal/2011/11/27/see-the-light.html</rss:link><dc:creator>John Thawley</dc:creator><dc:date>2011-11-27T15:58:37Z</dc:date><dc:subject>Lighting Shooting Tips color temperature exposure light sunset twilight</dc:subject><content:encoded><![CDATA[<span class="thumbnail-image-block ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fstorage%2FTHAW_%20168462.jpg%3F__SQUARESPACE_CACHEVERSION%3D1322410699296',681,1024);"><img src="http://www.johnthawley.com/storage/thumbnails/360586-15308146-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1322410699297" alt="" /></a></span></span>No, this isn't some spiritual guru blog entry, but it is meant to enlighten you and change the way you think and see things as you shoot.<br /><br />We're all aware that photography is the science of light. Great. But what does that really mean? Often, most photographers get extremely hung up on exposure, taking light readings, estimating ev over and under, all in the name of a correct exposure. That's fine. It's good to get a correct exposure&hellip;. though, "correct" can lie in the eye of the beholder. I want to talk about "correct" exposure&hellip; but I first want to talk about seeing the light in creative terms.<br /><br />So here we are in front of that shot we've wanted to take for a long time. Maybe it's your wife or girlfriend at a scenic location, maybe scenes on your vacation or even a landmark you've long wanted to visit. You carefully consider your composition&hellip; you find an accurate exposure, you focus&hellip; click, you preserve the memory for all eternity. Nirvana. Or is it?]]></content:encoded></rss:item><rss:item rdf:about="http://www.johnthawley.com/journal/2011/10/12/chasing-light-in-the-off-season.html"><rss:title>Chasing Light In The Off Season</rss:title><rss:link>http://www.johnthawley.com/journal/2011/10/12/chasing-light-in-the-off-season.html</rss:link><dc:creator>John Thawley</dc:creator><dc:date>2011-10-12T18:33:12Z</dc:date><dc:subject>5D Mk11 Equipment Leica Shooting Tips aperture setting exposure light rangefinder shutter</dc:subject><content:encoded><![CDATA[<p><span class="thumbnail-image-block ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fstorage%2FTHAW_%20162013.jpg%3F__SQUARESPACE_CACHEVERSION%3D1318444901555',683,1024);"><img src="http://www.johnthawley.com/storage/thumbnails/360586-14601185-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1318444901556" alt="" /></a></span></span>With the racing season complete, I now get to turn my attention toward my personal work. It's not really work&hellip; but then again, it's part of what I do and the personal stuff is how I hope to continue to learn and grow. <br /><br />I'll probably limit my equipment to my rangefinder and full frame DSLR. Those cameras require a more deliberate style of shooting and I feel that's where I need to be at this point in my career.</p>
<p>Specifically, I want to focus my attention on the subtleties of exposure settings and how it can effect my creative choices. Not just getting an accurate exposure but more about manipulating the nuances of the different shutter/aperture combinations and how they effect the creative aspect of the image&hellip; not just "shutter X aperture = exposure" &hellip; but how to use those options to get more from the image and tell a better story.</p>]]></content:encoded></rss:item><rss:item rdf:about="http://www.johnthawley.com/journal/2011/9/9/a-great-cause.html"><rss:title>A Great Cause</rss:title><rss:link>http://www.johnthawley.com/journal/2011/9/9/a-great-cause.html</rss:link><dc:creator>John Thawley</dc:creator><dc:date>2011-09-09T15:45:59Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<div class="caption">
<p><span class="thumbnail-image-block ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fstorage%2FTHAW_%20109752%201.jpg%3F__SQUARESPACE_CACHEVERSION%3D1315583383507',683,1024);"><img src="http://www.johnthawley.com/storage/thumbnails/360586-14071573-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1315583383508" alt="" /></a></span></span>Just an update on when, where and how you can  bid on this exclusive  20&rdquo;x30&rdquo; Gallery Wrap Canvas print featuring the  spectacular Ferrari  458GT cars of Extreme Speed Motorsports and Tequila  Patron.</p>
<p>The  auction will benefit the <a href="http://www.hatcherfoundation.org/" target="_blank">Austin Hatcher Foundation</a>.  It will be held  next weekend, September 16-18, during the American Le  Mans Series  Presented by Tequila Patron race at Mazda Raceway Laguna  Seca. It will  be on display at the Austin Hatcher Foundation  Information booth and at  the Extreme Speed Motorsports transporter  during and after the autograph  session.</p>
<p><span><span class="caption">This  exclusive 20&rdquo;x30&rdquo; canvas wrap will  be presented for silent auction at  next weeks American Le Mans Series  presented by Tequila Patron event at  Mazda Raceway Laguna Seca. All  proceeds go to benefit the Austin Hatcher  Foundation. The silent  auction will run through the weekend&hellip; more  details to follow.   This is  the first offering of this image. It was shot during a private  test at  Sebring Int&rsquo;l Raceway. One interesting note; the 01 one car is  being  driven by Guy Cosmo and the 02 car is being driven by Scott Sharp.</span></span></p>
<p>This  image is exclusive and has never been made available to the  public. It  was shot during a private test at Sebring International  Raceway. Please  be sure to stop by and place your bid.</p>
<p>The Austin Hatcher  Foundation is truly a worthy cause. As we  approach the anniversary date  of Austin&rsquo;s sudden passing, I can&rsquo;t help  but recall being at Mazda  Raceway when I heard the news. I&rsquo;ll never  forget the sadness&hellip; thinking  of my friends, Amy Jo and Jim Osborn&hellip;  trying to imagine how anyone  could cope with such a loss. The Austin  Hatcher Foundation is how they  cope&hellip; this is how they responded. They  are true heroes in my book and I  hope you&rsquo;ll help their cause.</p>
</div>]]></content:encoded></rss:item><rss:item rdf:about="http://www.johnthawley.com/journal/2011/8/13/who-are-you-shooting-for.html"><rss:title>Who Are You Shooting For?</rss:title><rss:link>http://www.johnthawley.com/journal/2011/8/13/who-are-you-shooting-for.html</rss:link><dc:creator>John Thawley</dc:creator><dc:date>2011-08-13T12:32:51Z</dc:date><dc:subject>Shooting Tips glamor motorsports shooting</dc:subject><content:encoded><![CDATA[<span class="thumbnail-image-block ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fstorage%2FTHAW_%20070208.jpg%3F__SQUARESPACE_CACHEVERSION%3D1313241615777',500,750);"><img src="http://www.johnthawley.com/storage/thumbnails/360586-13654810-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1313241615778" alt="" /></a></span></span>One of the unique things about photography is the many different categories of photography and types of shooting you can do. Regardless if your a pro or a serious hobbyist, or even a soccer mom taking family snaps, photos tend to fall into a category or niche`. There's portrait work, sports, landscape, nature, glamor, macro, wedding and event, and so on. Some people specialize, some folks try to do it all. <br /><br />I make my living shooting motorsports&hellip; I shoot a lot of motorsports. But as I stated before, I'm not what you'd call a race "fan." I enjoy the racing and the cars, to be sure. But I'm not in it as a fan or to be around the cars&hellip; my true passion is the photography.]]></content:encoded></rss:item><rss:item rdf:about="http://www.johnthawley.com/journal/2011/1/20/finding-the-range-of-a-rangefinder.html"><rss:title>Finding the range of a rangefinder</rss:title><rss:link>http://www.johnthawley.com/journal/2011/1/20/finding-the-range-of-a-rangefinder.html</rss:link><dc:creator>John Thawley</dc:creator><dc:date>2011-01-20T14:10:44Z</dc:date><dc:subject>Equipment Leica M8.2 rangefinder</dc:subject><content:encoded><![CDATA[<span class="thumbnail-image-block ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fstorage%2FTHAW_%20060899.jpg%3F__SQUARESPACE_CACHEVERSION%3D1295532334350',683,1024);"><img src="http://www.johnthawley.com/storage/thumbnails/360586-10321593-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1295532334351" alt="" /></a></span></span>So after thoroughly enjoying my shooting experience with the Leica M5 I decided film was not conducive to my post shoot workflow. While many hold film near and dear to their hearts, for me it detracted from the enjoyment of shooting with the M5. <br /><br />The rangefinder style of shooting is almost zen-like. For me, film spoiled the fun. Enter the Leica M8.2 digital rangefinder. In a word... WOW. This little beauty is a ball. Unlike Leica's current flagship rangefinder, the full frame sensor M9, the M8.2 delivers 10mp files with a 1:3 crop factor. So, with a 35mm lens your field of view is just shy of 50mm. It's nice. More importantly, the M8.2 is the upgraded version of the M8 and features a silent shutter and scratch-proof sapphire rear display. The black version (shown in the previous entry) comes with a black vulcanite grip, black paint finish (as opposed to black chrome) and the infamous Leica "red dot" has been replaced with a stealthy black dot.]]></content:encoded></rss:item><rss:item rdf:about="http://www.johnthawley.com/journal/2011/1/19/more-to-come.html"><rss:title>More to come....</rss:title><rss:link>http://www.johnthawley.com/journal/2011/1/19/more-to-come.html</rss:link><dc:creator>John Thawley</dc:creator><dc:date>2011-01-19T13:52:38Z</dc:date><dc:subject>Equipment Leica M8.2 rangefinder</dc:subject><content:encoded><![CDATA[<span class="thumbnail-image-block ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fstorage%2FTHAW_%20061007%201.jpg%3F__SQUARESPACE_CACHEVERSION%3D1295444776380',769,1024);"><img src="http://www.johnthawley.com/storage/thumbnails/360586-10303902-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1295444793049" alt="" /></a></span><span class="thumbnail-caption" style="width: 780px;">Stealth Black Leica M8.2</span></span>So after thoroughly enjoying my shooting experience with the Leica M5 I decided film was not conducive to my post shoot workflow. While many hold film near and dear to their hearts, for me it detracted from the enjoyment of shooting with the M5. <br /><br />The rangefinder style of shooting is almost zen-like. For me, film spoiled the fun. Enter the Leica M8.2 digital rangefinder. In a word... WOW. This little beauty is a ball. Unlike Leica's current flagship rangefinder, the full frame sensor M9, the M8.2 delivers 10mp files with a 1:3 crop factor. So, with a 35mm lens your field of view is just shy of 50mm. It's nice. More importantly, the M8.2 is the upgraded version of the M8 and features a silent shutter and scratch-proof sapphire rear display. The black version (shown here) comes with a black vulcanite grip, black paint finish (as opposed to black chrome) and the infamous Leica "red dot" has been replaced with a stealthy black dot.]]></content:encoded></rss:item><rss:item rdf:about="http://www.johnthawley.com/journal/2011/1/13/cutting-out-the-middle-man.html"><rss:title>Cutting Out The Middle Man</rss:title><rss:link>http://www.johnthawley.com/journal/2011/1/13/cutting-out-the-middle-man.html</rss:link><dc:creator>John Thawley</dc:creator><dc:date>2011-01-13T17:54:07Z</dc:date><dc:subject>Digilux 2 Equipment Leica M5 film</dc:subject><content:encoded><![CDATA[<span class="thumbnail-image-block ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fstorage%2FTHAW_%20059580%201.jpg%3F__SQUARESPACE_CACHEVERSION%3D1294941016947',679,1024);"><img src="http://www.johnthawley.com/storage/thumbnails/360586-10211392-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1294941057994" alt="" /></a></span><span class="thumbnail-caption" style="width: 780px;">Shot with Leica M5 and Leica Summicron 50mm on FujiFilm ISO 200</span></span>This is just a short entry updating my photographic exploits over the holidays and the direction I've taken regarding my adventure into Leica M rangefinder cameras. Specifically the M5, shooting film and how it all shakes out as it applies to my personal work flow.<br /><br />I'll start by simply saying the M5 is no longer in my stable. And I'll also state emphatically, I miss it. So why is it gone?<br /><br />In a word&hellip; FILM. Now I'm not here to argue whether film or digital is better than the other. It doesn't really matter. I know there are shooters out there that are dedicated to pursuing film and the preservation of film, but I'm not that guy. While I enjoyed "success" at shooting film, I did not enjoy the process.<br /><br />Simply put, film did not fit into my workflow. Perhaps due to the volume of processing I do, I found that trying to fit film into my "system" was cumbersome, unpredictable and frankly, VERY disappointing.]]></content:encoded></rss:item><rss:item rdf:about="http://www.johnthawley.com/journal/2010/12/20/happy-holidays.html"><rss:title>Happy Holidays</rss:title><rss:link>http://www.johnthawley.com/journal/2010/12/20/happy-holidays.html</rss:link><dc:creator>John Thawley</dc:creator><dc:date>2010-12-20T15:16:25Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<p><span class="thumbnail-image-block ssNonEditable"><span><a href="http://www.johnthawley.com/merry-christmas-2010"><img src="http://www.johnthawley.com/storage/thumbnails/360586-5074259-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1292943511617" alt="" /></a></span><span class="thumbnail-caption" style="width: 765px;">Click to view</span></span>Another year in the books. I'm not sure why we only set aside these few short weeks of December to reflect on our good fortune, our families and our friends, it seems so inadequate when you consider all we have to thankful for.</p>
<p>So with a another year of collecting friends and memories, I humbly offer this glimpse into a year of my life and my friendships made among the growing family of the American Le Mans Series.</p>
<p>To those I missed, I truly apologize. Please know I'll try harder next year.</p>
<p>To everyone, thank you for allowing me the opportunity to document this part of our collective adventures and travels with the ALMS Nation. It is a privledge I do not take lightly.</p>
<p>Thank you, and Happy Holidays.</p>]]></content:encoded></rss:item><rss:item rdf:about="http://www.johnthawley.com/journal/2010/12/8/exploring-speed-light.html"><rss:title>Exploring Speed &amp; Light</rss:title><rss:link>http://www.johnthawley.com/journal/2010/12/8/exploring-speed-light.html</rss:link><dc:creator>John Thawley</dc:creator><dc:date>2010-12-08T23:38:48Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<p><span class="full-image-float-right ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fstorage%2Fbook_spread2.jpg%3F__SQUARESPACE_CACHEVERSION%3D1243013439963',750,1200);"><img src="http://www.johnthawley.com/storage/thumbnails/360586-3165139-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1243013443386" alt="" /></a></span></span><em><strong>Still time to order and receive by Christmas!<br /></strong></em></p>
<p><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fstorage%2Fbook_spread1.jpg%3F__SQUARESPACE_CACHEVERSION%3D1243013395912',750,1200);"></a>A fantastic photo-diary of the 2006 World Class American Le Mans Series. This 158 page book has been re-released using premium heavyweight paper and a laminated self-image cover featuring the legendary Audi R10.</p>
<p>If you love sports car racing, you'll love this collection of images. You'll follow the excitement from the Series' opener at the historic 12 Hours of Sebring right through to the season finale in the awe inspiring vistas of Laguna Seca.</p>
<p>The work of motorsports photographer John Thawley is beautifully presented in Exploring Speed and Light. The hard bound book is 158 pages printed with full bleed four color images on a new heavier premium stock for the finest quality photographic reproduction. This journal represents Thawley&rsquo;s personal view of the 2006 American Le Mans Series. <em><strong>Click on the link below to get yours TODAY!</strong></em></p>
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</div>]]></content:encoded></rss:item><rss:item rdf:about="http://www.johnthawley.com/journal/2010/12/6/no-chimping.html"><rss:title>No Chimping</rss:title><rss:link>http://www.johnthawley.com/journal/2010/12/6/no-chimping.html</rss:link><dc:creator>John Thawley</dc:creator><dc:date>2010-12-07T03:48:59Z</dc:date><dc:subject>35mm Equipment Leica M5 Shooting Tips roll film</dc:subject><content:encoded><![CDATA[<span class="thumbnail-image-block ssNonEditable"><span><a href="http://www.johnthawley.com/testing-35mm-roll-film/"><img src="http://www.johnthawley.com/storage/thumbnails/8748670-7831106-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1291694582054" alt="" /></a></span><span class="thumbnail-caption" style="width: 750px;">Click on image for sample gallery</span></span>As promised, I thought I'd report back on the results of my first outings shooting 35mm roll film and the Leica M5 rangefinder.<br /><br />First, I'm delighted to say that the results were much better than I had hoped for. I will say, you don't realize how much convenience new technology provides until you take it away. Shooting with film rangefinder is a whole lot of manual. There's no bumping up the ISO in between frames. No selecting focus points&hellip;. since there's no autofocus anyway. No zoom. No burst frames. No aperture or shutter preferred modes&hellip; and most importantly&hellip; NO CHIMPING. :)<br /><br />Needless to say, suddenly there's a whole lot going on. Suddenly you find yourself trying to figure out a workflow prior to pressing the shutter.]]></content:encoded></rss:item></rdf:RDF>
